Mason Exhibitions Arlington / en Healing Artist Collective highlights work of Mason students, alumni /news/2023-06/healing-artist-collective-highlights-work-mason-students-alumni <span>Healing Artist Collective highlights work of Mason students, alumni</span> <span><span lang="" about="/user/1456" typeof="schema:Person" property="schema:name" datatype="" xml:lang="">Shayla Brown</span></span> <span>Tue, 06/20/2023 - 14:24</span> <div class="layout layout--gmu layout--twocol-section layout--twocol-section--30-70"> <div class="layout__region region-first"> </div> <div class="layout__region region-second"> <div data-block-plugin-id="field_block:node:news_release:body" class="block block-layout-builder block-field-blocknodenews-releasebody"> <div class="field field--name-body field--type-text-with-summary field--label-visually_hidden"> <div class="field__label visually-hidden">Body</div> <div class="field__item"><p><span class="intro-text">The <a href="https://www.masonexhibitions.org/exhibitions/edges-of-what-i-feel" target="_blank">Edges of What I Feel</a>, an exhibition by the Healing Artist Collective curated by recently retired ĐÔĘӽ紫ý professor Peter Winant, features the artwork of an eclectic group of Mason <a href="https://art.gmu.edu/">School of Art</a> students, staff, and alumni. The diverse group of artists participated in the exhibition with the common goal of healing.</span></p> <figure role="group"><div> <div class="field field--name-image field--type-image field--label-hidden field__item"> <img src="/sites/g/files/yyqcgq291/files/styles/medium/public/2023-06/230602926.jpg?itok=gAt51odD" width="560" height="373" alt="From left: Steven Lou, Michelle A. Smith, and Peter Winant with other Mason artists at Mason Exhibitions Arlington for the "Edges of What I Feel" opening." loading="lazy" typeof="foaf:Image" /></div> </div> <figcaption>From left: Steven Luu, Michelle A. Smith, and Peter Winant with other Mason artists at Mason Exhibitions Arlington for the "Edges of What I Feel" opening. Photo by Cristian Torres/Office of University Branding</figcaption></figure><p>One of the featured artists, Mason alum <a href="https://www.michelleannsmith.com/bio" target="_blank">Michelle A. Smith</a>, is a surviving military spouse, and she said the exhibition allows her to express the pain of losing her husband.</p> <figure role="group" class="align-right"><div> <div class="field field--name-image field--type-image field--label-hidden field__item"> <img src="/sites/g/files/yyqcgq291/files/styles/medium/public/2023-06/230602912.jpg?itok=LYaim8c4" width="400" height="267" alt="Steven Luu and Michelle A. Smith with her piece "Absence: Grief."" loading="lazy" typeof="foaf:Image" /></div> </div> <figcaption>Steven Luu and Michelle A. Smith with her piece "Absence: Grief." Photo by Cristian Torres/Office of University Branding</figcaption></figure><p>"I'm confronting and expanding on the emotions of grief and loss with this exhibition. It's a difficult question without a definitive answer," said Smith, who graduated from Mason in 2021 and recently received a Virginia Museum of Fine Arts <a href="https://vmfa.museum/programs/fellowship-2023-24-recipients/" target="_blank">(VMFA)</a> Fellowship. </p> <p>“Through art, through the healing, it is cathartic for me to deal with these processes,” said Smith, who draws inspiration from nature. “I feel like the people who see what I'm doing might not know the whole backstory, but they don't have to in order to make a connection, feel something, to be able to put themselves in that space. </p> <p>Smith is particularly fascinated by seeds and their processes and potential. Seeds are both creative and destructive, just like people, said Smith, whose work makes that connection between nature and humans, and seeds and souls. </p> <p>“Michelle has an experience that is beyond imagination for somebody like me,” said Winant, who  retired from Mason on June 1. “Much of her work has been autobiographical; exploring herself and areas within that were brought about through traumatic experience. In the making of that work, there's always something that requires a huge amount of personal courage and I really admire her for that.”  </p> <p>Featured artist and alum <a href="https://stevenluuart.com/" target="_blank">Steven Luu</a> served in the U.S. Air Force for 20 years as a combat medic. Using materials such as concrete and epoxy resin, Luu addresses the concept of death in his work.  </p> <figure role="group" class="align-left"><div> <div class="field field--name-image field--type-image field--label-hidden field__item"> <img src="/sites/g/files/yyqcgq291/files/styles/medium/public/2023-06/230602913.jpg?itok=W2VnGIMS" width="400" height="267" alt="Steven Luu (center) with his piece Fourteenth Heads. Photo by Cristian Torres/Office of University Branding." loading="lazy" typeof="foaf:Image" /></div> </div> <figcaption>Steven Luu (center) with his piece Fourteenth Heads. Photo by Cristian Torres/Office of University Branding</figcaption></figure><p>“In the war zone, [there are] dropping bombs and debris flying everywhere. So, I had a horrible experience with concrete, and now I really don't like concrete. But this project is how I make peace with the concrete. I'm actually OK. I'm revisiting it. I transformed my past into this material that [traumatized me], and now I’ve become a viewer. So, I'm no longer carrying it with me,” he explained. </p> <p>Luu and Smith are pioneers in many ways, said Winant. </p> <p>Luu wrote to Winant in 2016 asking to be an art student at Mason. “I wasn't an artist at the time, I was a medic, but Peter said that I have the attitude [of an artist] and that changed my life forever. So, I'm very grateful for that,” said Luu, adding, about Winant: “He’s not just a professor, but a friend and mentor.” </p> <p>“It's been such a privilege to work at ĐÔĘӽ紫ý; for me to grow as the university has grown, and to be a part of something that's just an amazing story,” said Winant. </p> <p>Other artists featured in the exhibition include CJ Davis, Moe Lewis, Liz Louise, Abdulrahman Naanseh, Alanna Rivera, Adrian Scalzo, and Tessie Van Dyke.</p> <p>The Healing Artist Collective exhibition, The Edges of What I Feel, will be featured through August 26. To see more School of Art events, visit <a href="https://art.gmu.edu/events/">their page.</a></p> </div> </div> </div> <div data-block-plugin-id="field_block:node:news_release:field_content_topics" class="block block-layout-builder block-field-blocknodenews-releasefield-content-topics"> <h2>Topics</h2> <div class="field field--name-field-content-topics field--type-entity-reference field--label-visually_hidden"> <div class="field__label visually-hidden">Topics</div> <div class="field__items"> <div class="field__item"><a href="/taxonomy/term/536" hreflang="en">Alumni</a></div> <div class="field__item"><a href="/taxonomy/term/146" hreflang="en">College of Visual and Performing Arts (CVPA)</a></div> <div class="field__item"><a href="/taxonomy/term/336" hreflang="en">Students</a></div> <div class="field__item"><a href="/taxonomy/term/1086" hreflang="en">School of Art</a></div> <div class="field__item"><a href="/taxonomy/term/15991" hreflang="en">Mason Exhibitions Arlington</a></div> </div> </div> </div> </div> </div> Tue, 20 Jun 2023 18:24:29 +0000 Shayla Brown 105986 at Mason Exhibitions Arlington presents "Pressure, Movement, Effect" by Syrian Artist Abdulrahman Naanseh /news/2022-06/mason-exhibitions-arlington-presents-pressure-movement-effect-syrian-artist <span>Mason Exhibitions Arlington presents "Pressure, Movement, Effect" by Syrian Artist Abdulrahman Naanseh </span> <span><span lang="" about="/user/806" typeof="schema:Person" property="schema:name" datatype="" xml:lang="">Kirstin Franko</span></span> <span>Mon, 06/13/2022 - 18:02</span> <div class="layout layout--gmu layout--twocol-section layout--twocol-section--30-70"> <div class="layout__region region-first"> <div data-block-plugin-id="field_block:node:news_release:field_associated_people" class="block block-layout-builder block-field-blocknodenews-releasefield-associated-people"> <h2>In This Story</h2> <div class="field field--name-field-associated-people field--type-entity-reference field--label-visually_hidden"> <div class="field__label visually-hidden">People Mentioned in This Story</div> <div class="field__items"> <div class="field__item"><a href="/profiles/drusse10" hreflang="und">Donald Russell</a></div> </div> </div> </div> </div> <div class="layout__region region-second"> <div data-block-plugin-id="field_block:node:news_release:body" class="block block-layout-builder block-field-blocknodenews-releasebody"> <div class="field field--name-body field--type-text-with-summary field--label-visually_hidden"> <div class="field__label visually-hidden">Body</div> <div class="field__item"><figure role="group" class="align-right"><div> <div class="field field--name-image field--type-image field--label-hidden field__item"> <img src="/sites/g/files/yyqcgq291/files/styles/medium/public/2022-06/Abdulrahman-naanseh.jpeg?itok=IubL48lB" width="341" height="512" alt="Syrian Artist Abdulrahman Naanseh in a black and white image." loading="lazy" typeof="foaf:Image" /></div> </div> <figcaption>Syrian artist Abdulrahman Naanseh is the 2022 Artist-in-Residence at Mason’s School of Art.</figcaption></figure><p><a href="http://www.masonexhibitions.org">Mason Exhibitions</a> is honored to present <strong>Abdulrahman Naanseh: <em>Pressure, Movement, Effect</em></strong><em>, </em>a solo exhibition of the artist’s recent Arabic calligraphy on paper and canvas, on view June 17 through August 6, 2022. The opening reception for <strong><em>Pressure, Movement, Effect</em></strong>will kick off with the <a href="https://arlingtonartscenter.org/events/2022/06/arlington-collective-art-walk/">Arlington Collective Art Walk</a> the evening of June 17, featuring self-guided art experiences open to the public that connects seven local galleries.</p> <p>Syrian artist <strong>Abdulrahman Naanseh</strong> (b.1991) is an <strong>Artist Protection Fund Fellow</strong> (IIE-APF) and the <strong>2022 Artist-in-Residence at ĐÔĘӽ紫ý’s School of Art</strong>. Naanseh’s calligraphy is a personal response to the tangled narratives of religion and politics that characterize life in his native Syria, which Naanseh sees as essential to understanding the Middle East or the Arab region.</p> <figure class="quote">“With today’s online culture and the proliferation of graffiti and street art, calligraphy is more visible and influential today than ever before," shares ĐÔĘӽ紫ý Curator, <strong>Don Russell</strong>. "Naanseh is a great example of an artist who is extending and freeing this ancient form.”</figure><p>Naanseh learned Arabic calligraphy with the support of his father, a self-taught calligrapher. Naanseh has excelled in this field with exhibitions at the Arneli Art Gallery during the Beit Misk Festival in Beirut, murals at Damascus University, solo exhibitions in Syria in 2002 and 2005, and national Arabic calligraphy competitions.<span> The practice of Arabic calligraphy spans nearly 2,000 years and is strongly influenced by Islamic culture and design. Naanseh’s analytical approach involves research and readings of modern and ancient Arabic poetry, linguistic analysis of Arabic words and sounds, as well as direct experience of the social pressures engrained in religion and politics.</span></p> <figure role="group" class="align-left"><div> <div class="field field--name-image field--type-image field--label-hidden field__item"> <img src="/sites/g/files/yyqcgq291/files/styles/small_content_image/public/2022-06/Naanseh-all-distances-COVER.jpg?itok=5kAZ6wZz" width="264" height="350" alt="Abdulrahman Naanseh - All Distances are Dangerous, 2022. Photo Credit: Sophie Bae" loading="lazy" typeof="foaf:Image" /></div> </div> <figcaption>"All Distances are Dangerous," 2022.<br /> Photo Credit: Sophie Bae</figcaption></figure><p><span><span><span><span>Naanseh’s recent work focuses on three specific words and concepts and their expression in Arabic script: <em>pressure, movement, and effect</em>. <em>Pressure</em> is force signaling a pen or brush on paper; a mental, physical, and social constraint; it pushes back. <em>Movement</em> is a path; a strategy; and a cadence that gives shape, substance, and emotional resonance to poetry, music, or storytelling.<em> Effect</em> is the external impact and change.</span></span></span></span></p> <p><span><span><span>In each artwork or sequence of works, Naanseh starts with one of these three simple words and by repeating and altering their forms in a variety of styles, scales, layers, and colors, he builds visual structures and motifs which compound and refract their potential readings. Like concrete poetry, the resulting images can be appreciated on multiple levels, as poetic formal abstractions and conceptually driven commentary on the social circumstances of the artist’s native region.</span></span></span></p> <p><span><span><span><span>An initiative of </span><a href="https://www.iie.org/programs/artist-protection-fund"><strong>Institute of International Education</strong></a>, the <strong>Artist Protection Fund</strong> (IIE<span>-APF) fills a critical unmet need by protecting threatened artists and placing them at</span> <span>welcoming host institutions in safe countries where they can continue their work and plan for their</span> <span>futures. IIE-APF places these artists in safe havens for a full year and provides fellowship funding, mentoring, and inclusion in a comprehensive network of artistic and social support.</span></span></span></span></p> <p><strong><span><span><span>Arlington Collective Art Walk</span></span></span></strong><br /><span><span><span>The opening reception for <em>Pressure, Movement, Effect</em> will kick off with the </span></span></span><span><span><a href="https://arlingtonartscenter.org/events/2022/06/arlington-collective-art-walk/">Arlington Collective Art Walk</a></span></span><span><span><span><span>, </span></span></span></span><span><span><span><span>a self-guided art experience that connects seven local galleries. </span></span></span></span></p> <p><span><span><strong><span><span>Friday, June 17, 2022</span></span></strong><br /><span><span>5-7 p.m. participants will walk between venues independently <br /> 7-9 p.m. participants will culminate at WHINO for an Arlington Collective Art community engagement opportunity</span></span></span></span></p> <p><strong><em>Pressure, Movement, Effect </em></strong>is on view June 17 through August 6, 2022. For more information visit the <a href="https://www.masonexhibitions.org/exhibitions/pressure-movement-effect">Mason Exhibitions website</a>.</p> <div class="align-left"> <div class="field field--name-image field--type-image field--label-hidden field__item"> <img src="/sites/g/files/yyqcgq291/files/styles/small_content_image/public/2022-06/IIE.jpg?itok=RUIsbv5K" width="134" height="177" alt="Logo for iie Artist Protection Fund." loading="lazy" typeof="foaf:Image" /></div> </div> </div> </div> </div> <div data-block-plugin-id="field_block:node:news_release:field_content_topics" class="block block-layout-builder block-field-blocknodenews-releasefield-content-topics"> <h2>Topics</h2> <div class="field field--name-field-content-topics field--type-entity-reference field--label-visually_hidden"> <div class="field__label visually-hidden">Topics</div> <div class="field__items"> <div class="field__item"><a href="/taxonomy/term/1086" hreflang="en">School of Art</a></div> <div class="field__item"><a href="/taxonomy/term/146" hreflang="en">College of Visual and Performing Arts (CVPA)</a></div> <div class="field__item"><a href="/taxonomy/term/15986" hreflang="en">Mason Exhibitions</a></div> <div class="field__item"><a href="/taxonomy/term/15991" hreflang="en">Mason Exhibitions Arlington</a></div> <div class="field__item"><a href="/taxonomy/term/15406" hreflang="en">Mason Square</a></div> <div class="field__item"><a href="/taxonomy/term/671" hreflang="en">Arlington campus</a></div> </div> </div> </div> </div> </div> Mon, 13 Jun 2022 22:02:00 +0000 Kirstin Franko 71321 at